Another Good Criticism of the “Won’t Back Down” Farce of a Movie
The Rethinking Schools blog has an excellent review of the movie: “Won’t Back Down.” Interestingly enough has this film has had the worst opening ever for a major motion picture release…that to me, is good news.
Helen Gym does a very good job dissecting this movie and she really makes some excellent points, which I have highlighted below.
September 28, 2012 by rethinkingschoolsblogThinking about seeing a movie this weekend? Take our advice and avoid Won’t Back Down. Below, Helen Gym, a Rethinking Schools editorial associate and parent activist in Philadelphia, shares why. Her commentary was first published at The Philadelphia Public School Notebook.
Won’t Back Down won’t be real about school reform
by Helen Gym
Last week I attended a local screening of Won’t Back Down, the latest flick from the producers behind the controversial documentary Waiting for Superman.
The film stars Viola Davis and Maggie Gyllenhaal as two moms of special-needs children, one also a teacher, trapped inside their failing public schools while battling an evil union leadership. They decide to take advantage of a state law called the FailSafe (known as the “parent trigger” in most states) in order to take over their public school, close it down, and re-open it under their personal and private management.
The film has its tender moments, particularly between Viola Davis and her bullied son. A scene where Maggie Gyllenhaal stares into the soulless eyes of her daughter’s do-nothing teacher induced shudders of similar experiences.
At the end of the day though, Won’t Back Down is a Hollywood fantasy, complete with the requisite soap opera melodrama, a cheesy love interest sidebar, and an all-star cast. The union hack caricatures and Gyllenhaal’s eager beaver mom role were particularly grating, if not outright insulting.
But let’s face it. Movie producers Philip Anschutz and Rupert Murdoch didn’t bankroll Won’t Back Down to win Academy Awards. They’ve entered it as a yet another piece in the contentious education reform debate using as their premise the idea of “parent empowerment” and “parent choice.” And on that level, there is some serious substance to reflect upon.
One of the ideas promoted by the movie is that failing public schools deserve to be closed down or “blown up” in some way. In place of that public institution, so says the movie, is the belief that motivated individuals should run these schools as they see fit. After all, anything must be better than this, right?
I’ve faced jaw-dropping school environments and leadership. I understand the knee-jerk frustration and the grasping at quick solutions. But what strikes me most is not the easy idea of “blowing things up.” Rather it’s how those who propose these measures are so thin on how to put it all back together in a truly transformational way.
Won’t Back Down takes excruciating pains to emphasize how terrible the public school is and how it has failed children. It’s interesting that the movie focuses on students with special needs, who are rarely served in non-public settings. When the actors explain the school of their dreams, they speak in simplified platitudes almost meaningless in their generality: “I just want a place where I can teach.” “I just want a school that works for my kid.”
But there’s almost no explanation about what kind of place or school that is, how it operates and functions, how heart and love — which all of us share for our children — translates into meaningful classroom and community practices. The movie never explains how the new school transforms into a great one that serves these children. Yes, the takeover school has a new paint job. Butterfly mobiles hang in the hallways, and there’s a brief scene about how the curriculum will now include Shakespeare.
But were more resources brought in? Many of the original teachers stayed. Did the professional development suddenly improve? Did they get trained in special-needs teaching? How did a dyslexic child, neglected if not effectively abused at the school, suddenly learn to read? Is there even a mission to the school? None of that is explored.
The second point to consider is the contentiousness of the new education reform efforts today. The FailSafe law in Won’t Back Down seems to glorify division. Parents are pitted against one another. Teachers are pitted against the principal. And the teachers’ union is pitted against all humankind. One of the most telling scenes of the movie is a climactic rally where one side has signs stating: PUBLIC SCHOOL ADVOCATES. The other side has signs that say: GOT SCHOOL CHOICE?
I’d like to think that even if you supported school choice options that you could also be a public school advocate and think about public systems responsibly. Instead we get heroes vs. villains and a my-way-or-the-highway approach to ed reform. On the heels of a seven-day Chicago teachers’ strike, we should be reminded that we need a reform movement that brings all of us to the table in a communal and collective effort to build our schools.
Finally, I had some serious issues around the race dynamics of the movie. I was troubled that the school in Won’t Back Down was portrayed as majority White because it masks the frequent focus of parent trigger legislation. Nationwide, parent triggers target schools with predominantly poor children of color: Black, Latino, and immigrant.
The fact that Maggie Gyllenhaal saunters into the school in her very first year and decides to take it over for herself, while scolding parents of color who seem to have given up hope, also bothered me. In one scene, she talks to an Asian father and references rat tails in restaurant food to explain the significance of the school’s failure – bizarre to say the least.
In fact the only parent choice or empowerment presented in the movie is having low-income parents sign over their permission to empower Maggie Gyllenhaal. There’s no indication that other parents were engaged with designing the vision for the future school.
In Philadelphia in particular, the idea of two individuals closing down a public school in order to run it themselves is more likely to raise eyebrows than to elicit cheers. We’ve seen far too many charter school scandals, corruption investigations, and failed independent efforts to feign naivete that all you need is a good heart and some roll-up-your-sleeves attitude
I am no apologist for failing schools. I’ve seen South Philadelphia High School at one of its worst stages and worked for the past four years to see it evolve into something far greater. I’ve lived with horrible principals, “Dawn of the Debra” zombie teachers, and seen countless children, sometimes my own, written off. There’s no excuse for that. Ever.
There’s a real need in our schools for parent empowerment that’s meaningful and lasting. We don’t need fictional movie heroes to bring that point home. I see real-life Maggie Gyllenhaals and Viola Davises partnering in our schools everyday.
We are real people on the ground, in our schools and communities, working to create real models of transformative education practice that inspire great teaching and learning. We need help to make that happen, not derision and division. We want change that’s sustainable and makes a real difference in the lives of our children, in their classrooms, with their teachers, and within a system that works for all students. We don’t just want a “parent choice.” We want a real parent voice.
And that’s the difference between Hollywood and the true reality of our schools.